Matin bleu (2025)

In Blue Morning, luminous panes of turquoise, green and gold emerge behind a tangle of dark foliage. Leaves and stems trace delicate lines across the shadowed interior, catching fragments of colour from the window beyond. The contrast suggests that quiet moment when morning light begins to fill a room, revealing its shapes without quite dispelling the night.

The window’s firm geometry meets the restless, organic shapes of the plants, creating a tension between structure and growth. Scraped and layered passages of paint allow colours to break through the darkness, giving the surface a flickering quality. Rather than offering a clear view outside, the window becomes a field of colour, somewhere between a familiar room and an imagined landscape.